Music as a Reflexive Process in Conflict Transformation Settings
Can music play a role in positive conflict transformation? Based on an examination of secondary sources that have addressed the contrasting musical conflict transformation projects of the West-Eastern Divan Orchestra and Hip Hop and primary data collected from Pontanima, an inter-religious choir in Sarajevo, Bosnia-Hercegovina with an explicit conflict transformation remit, it appears that the response to this question is either negative or at least not wholly positive. Some commentators have suggested that music is no better equipped to positively deal with conflict than any other social activity and that it is only the belief that it can that drives such projects. Likewise, recent publications on the topic have done nothing to suggest that music is particularly effective in this manner, despite claims to the contrary from some of these authors. This paper will argue that it is this very belief in the power of music that is essential for understanding why such projects continue to proliferate despite evidence to suggest they are not effective and how a future successful project might be conceived. This paper will attempt to illustrate the reflexive process that links music to our concepts of personal and cultural identity, memory, emotion, beliefs and behaviour. Primary and secondary sources will be drawn upon to illustrate this process and how it could be applied to conflict transformation scenarios.
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